Meet the OGPC artists in the exhibits Creative Reuse and Climate Change – Passion for Action! / Rencontrez les artistes de CAGOG qui participent aux expositions Réutilisation créative en arts imprimés et Changements climatiques – de la passion à l’action! Continue reading
A collaboration between OGPC and the Mahone Bay Printmakers, Waterworks on Paper is now on view at the Connective Gallery until June 23 Continue reading
Sixteen OGPC members created original works rooted in print art while nurturing a curiosity for the creative possibilities offered by the reuse of discard, rejected or simply thrown away materials and objects Continue reading
We have a new bilingual glossary of Printmaking techniques / Un nouveau glossaire bilingue des techniques des arts imprimés est maintenant disponible. Continue reading
Our current online show “Feel the Burr” features a full range of works featuring drypoint. /Notre exposition en ligne actuelle «Touchez les barbes!» présente une gamme complète d’œuvres créées avec la technique de la pointe sèche. Continue reading
Traditionally, encaustic printmaking made use of coloured beeswax heated on an aluminum sheet placed on a hotplate in order to make an image. Printmakers can provide a sort of encaustic finish look to their prints with the following procedures Rod Restivo experimented with. This will produce a monoprint. Continue reading
See “Feel the Burr” a show of drypoint prints at the Nepean Creative Arts Centre in person! Voir en personne “Touche les barbes!” un exposition des estampes de point sèche au Centre des arts créatifs de Nepean. Continue reading
“Its the Economy” exhibit by OGPC member Shirley Yik at the Trinity Gallery. Come visit at the vernissage Oct 22 6-8 PM. The Exhibit runs from Oct 21 to Nov 23. Continue reading
by F. Walker Why would you want to pre-mix a green hue and store it in a tube? Is it… Continue reading
This practical guide to milling your own ink colours written by Francine Walker, includes technical information, images and step-by-step instructions. Continue reading
